![]() Katana 100: manuals - drivers and Tone Studio.Katana 50: manuals - drivers and Tone Studio.BOSS's Live Sets : Hopefully these continue to be updated.BOSS Tone Central : BOSS's tone library service.Katana Mini: manuals - drivers and Tone Studio.Katana Artist MkII: manuals - drivers and Tone Studio.Katana Head MkII: manuals - drivers and Tone Studio.Katana 100/212 MkII: manuals - drivers and Tone Studio.Katana 100 MkII: manuals - drivers and Tone Studio.Katana 50 MkII: manuals - drivers and Tone Studio.One of the main concerns you will have feeding the output of an audio interface directly into a guitar amp will be a serious level mismatch. Some interfaces can output + 4 dBu at the ref level where as many guitar amps are sensitive and might only be expecting signals as low as -20 or even lower. one is 600 ohms and the other is several hundred K ohms usually) (using a passive DI in reverse while offering a good impedance match can actually step the signal up from the interface due to the transformer windings not being the same. So a good re-amp box is going to provide that level shift downwards. An adjustable output level is also a good thing allowing you to fine-tune the level going into the guitar amp. Input stages of the guitar amp can then be set for more normal operation. Isolation and ground lift options will also prevent the guitar amp from getting an earth loop type hum which can also be a problem. Some re-amp boxes go a little further and simulate the equivalent circuit of a guitar as well. And provide some tonal options like low and high end cut filters etc.īut overall re-amp boxes are a good thing and will ensure the best possible result from doing this. To the OP as long as the signal coming in from the microphone is not input monitor enabled in Studio One and feeding the same output that is being sent to the amp you won't have any feedback issues.ĭarrenporter1 wroteTo do it correctly there is more to it than just making sure your levels are ok. You really need a reamping box so your pedalboard and/or amp see the correct loads that they would expect seeing from a guitar. There are more expensive ones too if you are into paying more than you have to. lol.įWIW, I use the ART device and it works great. I also have other Radial products and they are fantastic too so you can't go wrong with either one. Then you need to make sure your interface outputs are assigned as outputs in Studio One. Finally, you just send your dry DI guitar track to that output. From that output on the interface, you go into the reamp box. There are a few videos on reamping with Studio One on YouTube. Have you tried putting say an active bass through it as a DI box?ĭarrenporter1 wroteThere are several S1 specific videos on YouTube pertaining to reamping. I've watched a few and none were helpful-hence why I came here in the first place. One video the guy doesn't even talk about routing the signal.Īnother video the guy does some things like switching the headphones to outputs 3+4 (which I don't know how to do on mine? nor do I think it should even be necessary?) but otherwise I followed him to a tee and nothing happened. I added a mono output in my I/O settings. I told my DI guitar track to go out to Sub 1. I turned on the outputs on the left side of the mixer. I took a 1/4'' cable from Line 3 aka Sub 1 to a guitar pedal, and then another from that pedal into input 2 in my focusrite. I armed a new track to record from input 2 and it gets no signal at all. Now, this could be because I don't have a reamp box, but other strange things are happening. I went straight from the guitar pedal into the amp with that guitar track solo'd and also got no sound at all. Yet, when I unsolo'd that guitar track the whole master mix (i.e. the mix that is going out of my main i.e. ![]() outs 1+2) could actually be heard coming out of the amp if I turned the volume up about halfway. Let this be a lesson to other folks about reamp boxes So what the hell is going on here? I think whatever I have to do is on the Scarlett Mixcontrol software's end, but I have no clue what needs to be done. So when I went directly from output three into the amp, bypassing my pedal altogether, I got signal-and a decent sounding one, too. Definitely a bit too hot given that it's line and all, but it sounds good coming out of the amp. ![]() It was when I introduced the guitar pedal (an EHX small stone phaser) into the chain that I had those problems from earlier. I haven't actually reamped the signal yet because it's late at night and I don't want to disturb the roommates. ![]()
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